isee.art
A Journey Through Presence and Proof (the proof of survival.) Here that same presence as in the previous piece, has moved through time and experience. The surface is no longer pristine. It bears the marks of life - pressure, interruptions and layers of change. Yet those marks do not diminish the figure. Instead, they deepen it. What was once simply outlined is now embedded and lived in. Identity is no longer only presented; it has been felt, endured and transformed. There is something affirming in that shift. Not because every experience is easy or kind, but because experience leaves its mark and the figure remains. Like No.8, the image is engraved into marble dust. Here, the physical marks in the surface become even more connected to the idea of experience itself, traces that are not hidden or erased, but become part of the work. Seen after No.8, No.10 moves from the promise of possibility to the proof of having lived through experience.
Shyne Eghosa (b. 1975) is a Nigerian-born, self-taught artist whose work explores memory and identity through bold, textured compositions. Since beginning to paint in early 2023, he has developed a raw and expressive style rooted in Neo-Expressionism, Art Brut, and a Trans-Cultural approach where African heritage and European diasporic experience collide. Working primarily on wood panels with acrylics, oil sticks, pastels, and fabric, he draws inspiration from traditional African masks and crafts, as well as artists like Jean-Michel Basquiat, Paul Klee, and Manolo Valdés. Many viewers relate his work to Basquiat, though his palette and forms also reflect the modernist spirit of Barcelona, where he currently lives. His choice of wood as a primary surface is rooted in childhood memories grounding his practice in personal history and an approach that embraces the raw, unrefined nature of the materials themselves. He is the founder of Unmaking Art Studio, a nonprofit space in Barcelona where a diverse group of emerging artists come together to share ideas, create, and exhibit. For him, “unmaking” is not about destruction, it’s about stripping away what no longer fits and giving shape to something more honest. As he puts it: “My art is a conversation between cultures, history, and my personal journey. Each piece is a step forward in discovering who I am.” Though new to the art scene, Shyne's work was selected for the juried Biennale di Chianciano 2024 in Tuscany, Italy. He has also exhibited in various group shows in Barcelona, and currently has work with Tobian Art Gallery in Florence, Italy.
A Journey Through Presence and Proof (the proof of survival.) Here that same presence as in the previous piece, has moved through time and experience. The surface is no longer pristine. It bears the marks of life - pressure, interruptions and layers of change. Yet those marks do not diminish the figure. Instead, they deepen it. What was once simply outlined is now embedded and lived in. Identity is no longer only presented; it has been felt, endured and transformed. There is something affirming in that shift. Not because every experience is easy or kind, but because experience leaves its mark and the figure remains. Like No.8, the image is engraved into marble dust. Here, the physical marks in the surface become even more connected to the idea of experience itself, traces that are not hidden or erased, but become part of the work. Seen after No.8, No.10 moves from the promise of possibility to the proof of having lived through experience.
Shyne Eghosa (b. 1975) is a Nigerian-born, self-taught artist whose work explores memory and identity through bold, textured compositions. Since beginning to paint in early 2023, he has developed a raw and expressive style rooted in Neo-Expressionism, Art Brut, and a Trans-Cultural approach where African heritage and European diasporic experience collide. Working primarily on wood panels with acrylics, oil sticks, pastels, and fabric, he draws inspiration from traditional African masks and crafts, as well as artists like Jean-Michel Basquiat, Paul Klee, and Manolo Valdés. Many viewers relate his work to Basquiat, though his palette and forms also reflect the modernist spirit of Barcelona, where he currently lives. His choice of wood as a primary surface is rooted in childhood memories grounding his practice in personal history and an approach that embraces the raw, unrefined nature of the materials themselves. He is the founder of Unmaking Art Studio, a nonprofit space in Barcelona where a diverse group of emerging artists come together to share ideas, create, and exhibit. For him, “unmaking” is not about destruction, it’s about stripping away what no longer fits and giving shape to something more honest. As he puts it: “My art is a conversation between cultures, history, and my personal journey. Each piece is a step forward in discovering who I am.” Though new to the art scene, Shyne's work was selected for the juried Biennale di Chianciano 2024 in Tuscany, Italy. He has also exhibited in various group shows in Barcelona, and currently has work with Tobian Art Gallery in Florence, Italy.
