About the Work

“Roman Bath brings together three female figures in a layered, fragmented composition that echoes the intimacy and spatial compression of ancient bathhouses. Each body is observed from a different vantage point: a pink-red figure in side profile with one leg folded, a second seen from behind in warm orange and yellow tones, and a frontal green-blue figure cropped from chest to thigh. The figures do not resolve into a single narrative space but instead coexist as overlapping states of presence, each shaped by color, angle, and partial visibility. Referencing the social and sensory atmosphere of Roman bathing culture, the work reframes the body as both observed and dissolving within shared space. In The DANCE: Between Polarity, it extends the dialogue between exposure and abstraction, unity and fragmentation, where figure and environment merge into a continuous field of shifting perception.”